Tuesday, January 8, 2013

Coolest Construction Site in the City?

click images for larger view (recommended)
From the north, the view from the escalator mezzanine at the AMC River East is more entertaining than many of the movies.

It's street theater to the nth degree.  Usually, construction sites are closed off from public view behind chain-link fencing and green netting.  Along Illinois and New Streets, the site of the 600-foot tall 435 North Park, designed by Solomon Cordwell Buenz, is no exception.  Walk north down Park Drive, however, as it rises on an incline, and the entire two-block square parcel falls open to your view.
Upper North Water Street now serves as a viewer's balcony, looking down unobstructed on the noisy, bustling hub of construction activity. 
We've written about this project - and posted renderings and daytime video - less than two weeks ago, but coming upon it, floodlit at night, is one of the most dramatic cityscapes you're likely to encounter. It's like stumbling across the landing strip at Roswell.
Once the building begins to rise above ground, of course, all of this will again be hidden.  So don't hesitate.  Wait for the end of the workday at nightfall, grab a bag of popcorn, some coffee or a flask of warmed brandy, lean against the concrete street balustrades, and enjoy one of the best shows in Chicago as caissons for the tower's foundations are dug deep into the soil.
 

Monday, January 7, 2013

The woman who created the Architecture Beat: Ada Louise Huxtable dies at 91

Ada Louise Huxtable, the women who created the very idea of newspaper architecture critic when she took on that role for the New York Times in 1963, died Monday in the Manhattan she shaped with her vivid writings.  Huxtable was 91, and active to the end.  Just last month, she wrote an account of the controversy over Norman Foster's plans for the New York Public Library that was a model of reporting, concision, impassioned advocacy and clear, elegant writing . 
It begins  . . .
There is no more important landmark building in New York than the New York Public Library, known to New Yorkers simply as the 42nd Street Library, one of the world's greatest research institutions. Completed in 1911 by Carrère and Hastings in a lavish classical Beaux Arts style, it is an architectural masterpiece. Yet it is about to undertake its own destruction .  . .
Huxtable slammed the Library's “deplorable” communications, and called on Foster and the Library to end months of keeping the public in the dark and release the renderings of the Foster's design.  Within two weeks, they did.  As she anticipated, Foster's work is “functional and handsome”, but falls far short of being a valid modernist counterpoint to Carrère and Hastings' masterful original 1911 design.  Foster's depiction of the new Great Room that is to replace the Library's legendary stacks has widely been described as possessing all the charm of a swollen Barnes and Noble.

Ada Louise Huxtable championed the best in modern architecture and made the guilty sweat.  She was one who gave the vanity museum Edward Durrell Stone designed by Huntington Hartford at Columbus Circle a nickname - “the lollipop building” - that would cling to it like a derisive albatross down through the decades.  When the big-box high-culture superstore that is the Kennedy Center opened in Washington in 1971, Huxtable caught its stolid mediocrity on knifepoint.  “Albert Speer,” she wrote, “would have approved”

In our age of hyperbole, the word "great" flows like ketchup on the great, unwashed mass of the barely “ok”.  Ada Louise Huxtable was far beyond "ok".  She was the best.

Read a 2008 interview with the  New York Times' Phillip Lopate here.

Copy Kahn’s


One thing that has happened in Bangladesh since we have been going there has been a major increase in the standard of building. Call it the Dubai effect. Bangladeshis have been a major force in the building of that city and they've come back home to produce buildings with the international level quality and finish. It's particularly amazing when you realise that even in high-rise projects concrete pours are delivered on site via woks on the heads of endless streams of workers.
And is the spirit of Louis Kahn apparent in these modern buildings? Not so much. But it was great to spot his influence in the oddest places, including a gas station.
Images: Louis Kahn alive and well in Dhaka. Top, a disused gas station. Middle, a mosque and inside the airport's international terminal and bottom, bus station.

Insiders


On our third visit to Dhaka in Bangladesh we did it. We got inside one of the world’s greatest buildings.  Our first effort was thwarted by Bangladesh's caretaker military government of the time (they were not in the mood to share so we simply circumnavigated the complex) and the second was tangled by bureaucracy but this year it suddenly became easy. Bangladesh’s General Assembly Building, known to the Bangladeshi as Jatiyo Sangsad Bhaban, is without doubt the masterpiece of architect Louis Kahn. We were deeply grateful to be allowed to visit; we were even taken into the debating chamber itself as the parliament was not in session.
Obviously our photos can’t do the place justice but you can get some idea of two usually contradictory forces at work: monumentality and grace. What you can't get is the extraordinary sensation of walking corridors soaring up six storeys with great arcs cut into the walls above you and light projecting sweeping shapes over the massive concrete surfaces. Looking out of the building you see sheets of reflecting pools and the beautifully sculpted brick buildings that house the ministerial offices, strangely delicate next to the grand architectural gestures of the main building.

It is impossible to comprehend how a bunch of politicians agreed that this was the building they wanted or to understand how Kahn managed to get this enormously complex work completed. Although it took around twenty years with a bloody war in the middle of it, as an assertion of a people it is unprecedented. We've heard that the building has functional problems and there is certainly some maintenance needed, but the basic concrete structure is magnificent and the Kahn designed detail splendid.

If you are anywhere near Dhaka in Bangladesh go here first to download the form you need to fill out. From there it's just a matter of showing up at the front gate and following your nose and then the nose of your guide.

Images: top outside and the rest inside Louis Kahn’s Jatiyo Sangsad Bhaban. More pictures here.

Heavens to Purgatory: Imploding Churches Flatten Chicago

click images for larger view
Is it a reprieve or the road to perdition?  Two historic Chicago churches marked for demolition, St. Boniface in West Town and St. James in Bronzeville, are enjoying a momentary stay of grace, a benediction of the city's Demolition Delay Ordinance, which automatically places a 90-day review on any demolition delay requests involving structures rated "red" or "orange" in the Chicago Historic Resources survey of potential landmark buildings.
In the case of gothic-styled St. James, built just four years after the great Chicago Fire of 1871 by architect Patrick C. Keeley, the 90 days has already expired.  Although the church still has an active congregation, structural problems have kept them from worshipping in the sanctuary for over two years, and the Chicago Archdiocese has decided they can tear down St. James and construct a more modest replacement for about a third of the $12 million cost of restoring the existing building.
St. Boniface, whose 130-foot-high bell tower has overlooked Eckhart Park since 1904,  has a couple more months left in its 90-day hourglass, but its situation is just as dire.  Designing by famed church architect Henry J. Schlacks, it was shuttered in 1989 and left to rot.  In 2003,  it was the subject of an ultimately pointless architectural competition sponsored by the Archidiocese to deflect mounting public criticism of its destruction of historic churches.  None of the striking proposals from the likes of Studio/Gang, Brininstool+Lynch, Booth Hansen and A Epstein had any shot of being built.  In 2010, Institutional Project Management LLC bought the church with the idea of transforming St. Boniface into Saint Boniface Senior Living, but in December the City of Chicago denied Institutional another extension for securing funding, and went to court to demand the building's demolition.

The Church Building as Vertical Urban Marker

 When you get out into the neighborhoods, Chicago is, for the most part, a flat city.  The view down one of the countless streets lined with single family homes, two and three flats, is like gazing at the dots on a line drawn to infinity.  Except in Beverly and along Ridge, there are no hills or mountains to anchor the horizon.
You can argue about the backward-looking quality of the architecture, but old Chicago churches are among the most important visual markers in the urban fabric, even when the buildings of commercial streets, clotting into density and height at major intersections, provide a more broad-based contrast.
Tivoli Theatre: 1921-1963
 Neighborhood movie palaces, with their soaring lighted marquees and massive neo-classical facades, gave the churches a run for their money in the 1920's as dominant civic markers, but their time proved incredibly short, with few of the structures surviving today.

The white flight that hit the city in the 50's and 60's included many of the parishioners of some of the city's grandest churches.  Catholic churches and synagogues became new homes to black congregations, but in the parts of the city panic-peddled from middle-class to poor, the cost of maintaining old structures often grew prohibitive, especially for stand-alone Protestant churches operating independently.  Even being a part of a large, city-wide entity cut a church little slack.  The Chicago Catholic Archdiocese may be the spiritual anchor of its flock, but as manager of one of the city's larger portfolios of real estate, it is ruthlessly unsentimental.  Grand churches built out of the sweat and sacrifice of Chicago's great immigrant parishes, the love of God personified in beauty and majesty, become nothing more than a real estate problem the day after the congregation is moved out.
St. Charles Borromeo
Over the decades, grand churches such as the Catholic St. Jarlath's, St. Leo's and St. Charles Borromeo, along with Protestant houses of worship like Burnham and Root's Church of the Covenant, and synagogues such as Lawndale's Anshe Kenesseth Israel, demolished just last year, are erased from the cityscape.
St. John of God
 A particularly brutal end was the fate of St. John of God, a grand church built by Polish immigrants and designed by Henry J. Schlacks in 1920.  Closed since 1992, the church was finally demolished last year, but not before the final indignity of having the stone flayed off of its elegant facades.
Cities change and evolve.  Buildings have their own mortality.  Even if there had been no Chicago Fire, none of Chicago's original, often simply elegant church buildings would survive today, as they were all built around the city's original courthouse square, where skyscrapers now stand circling today's City Hall.  It must be so.
Assumption Catholic Church
But as we've written before, neighborhoods often make dramatic comebacks, and the Archidiocese has a notoriously spotty record of predicting future potential.  As recently as 1983, Old Saint Patrick's was down to four registered members.  Twenty years later it was up to 3,500 households.
Holy Family
Holy Family's status as Chicago's second oldest Roman Catholic church (it dates from 1859) didn't stop the Archdiocese from closing it in 1984, and announcing its demolition in 1987.  Thankfully, public outrage - and organizing - kept that from happening.  Today, Holy Family's website heralds the church as the ongoing “miracle on Roosevelt Road”, and its soaring bell tower is the skyline landmark for its reviving neighborhood.

Not everything can be saved.  No one suggests that it should.  Still, as the generations pass, ethnic orientations change and functionalities evolve, the historic texture of the buildings are what carry forward the character of a neighborhood into time.  More than any lightly-visited grave, it is the buildings that let us keep the cherished past in our everyday lives.
St. Mary's of the Angels
There are two basic types of endangered landmarks.  The first is "threatened by prosperity", by the prospect of building something a lot more profitable.  It's always a difficult battle, but landmarking can save buildings in this category.
The second is "threatened by neglect", buildings that, in the present moment, seem of no real use to anybody, undeserving of investment.  Landmarking alone can't save a building when it's left to rot.  In fact, leaving it to rot is often a strategy of developers - a building is left to decay until the developer, shedding crocodile tears, goes to the Landmark Commission and says, "Sure it probably should be a landmark.  Isn't a shame that it's in such bad shape we've got no choice but to put it out of its misery?"

It's a strategy not limited to the private sector.  The Daley administration followed it to cynical perfection in promising to save old Michael Reese Hospital, and then leaving it so unprotected that it could proclaim, just a couple years later, that the building was now so deteriorated that it had no choice but to go back on its promise and smash the structure into dust.

Yet, as we continue to see in Chicago, neighborhoods do come back.   When they do on a tabula rasa crazy-quilt of negligently vacant lots, it is an unnecessarily diminished revival, disconnected from the sense of place that is the foundation of any great city's character.  We need to develop an institutional infrastructure to land bank endangered and orphaned city neighborhood landmarks, to be able to pay forward Chicago's historic cultural legacy into the more prosperous future.
[Update January 17, 2013] The St. Boniface Info website reports that The Chicago Department of Housing and Economic Development has verbally agreed to allow Carefree Development to step into the shoes of Institutional Project Management to be the primary developer of the St. Boniface senior housing development. The City has agreed to extend the time needed to provide evidence of financing for the development until the end of 2013. 

Sunday, January 6, 2013

Colour me Driver

In Bangladesh we were thinking about Don Driver.

While we were sleeping


Who says nothing happens over the run up to Christmas? Impressively, Chris Saines landed the directorship of the Queensland Art Gallery (congratulations) • consensually, the popular choice award for the Walters Prize went to Sriwhana Spong (same) • surprisingly, Dane Mitchell shifted his tent from Starkwhite to Hopkinson Cundy • harshly, Peter McLeavey was informed he no longer represented Liz Maw or Andrew McLeod • doggedly, EyeContact published another 18 reviews and attracted up to 3000 visits a week • curiously, Te Papa conducted an online survey asking people if they have ever heard of the Aztecs and for marketing tips • pointedly, no-one from the visual arts appeared in the New Year’s honours list• curatorially, Te Papa announced it would be selecting a Warhol exhibitionfrom the collection of the eponymous museum • fashionably, Francis Upritchard featured in British Vogue • remarkably, T J McNamara was still writing art reviews for the NZH and sadly (and a little pathetically on our part), unbeknownst to us while we were in Shanghai Neil Dawson was also in the city installing a public sculpture (Feather from Afar)