Showing posts with label Chicago Tribune. Show all posts
Showing posts with label Chicago Tribune. Show all posts

Sunday, August 11, 2013

Great Sunday Reading: Kogan on Graceland, Borrelli on Complexity and Contradiction at The 606

The Trib's architecture critic Blair Kamin gets a run for his money with two great pieces by his colleagues in this Sunday's edition.  (You can see the stories in the print edition, or via free digital subscription on the Trib's website.)
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Rick Kogan on Graceland
First up, Rick Kogan has a great story on Graceland Cemetery, and the restoration by Bill Bickford of Holabird and Roche's 1888 arts-and-craft chapel.  Kogan reports that the cemetery could well become the final resting place of legendary film critic Roger Ebert, which would extend Graceland's role as a sort of Pantheon for important Chicagoans.  Especially architects - Graceland's got everyone from Daniel Burnam to John Wellborn Root, Louis Sullivan, Bruff Goff, Marion Mahony Griffin and Mies van der Rohe  In 2007, a new memorial was dedicated to William Lebaron Jenney, a century after his ashes were scattered over the cemetery.
Read:  Graceland, and restored chapel, a wonder to behold.

Christopher Borrelli on The 606
Even better, however, is Christopher Borrelli's consideration of The Bloomingdale Trail, now rechristened, as we wrote about Friday, The 606.  Borrelli faces head-on what is, in the end, the key question about the project:  when you take a rotting piece of real infrastructure and transform it into a public park, do you wipe out the very identity that make the place worth saving?  

And make no mistake, the Trail exists, even today.  As Borrelli relates, although every single one of them are illegal trespassers, the Trail attracts a large number of people who see past the broken glass to walk, jog, and even practice yoga while enjoying the Trail in its very distinctive current state . . .
The old Canadian Pacific rail, which hasn't been used in decades and runs along Bloomingdale Avenue (hence the trail's name), has rusted into chocolate autumn browns. The dark wooden tracks running beneath those rails have splintered. And the ground, littered with broken stones and glass shards, sprouts tufts of lilting greens and long grasses and sporadic fields of dandelions, is so dense in places you wonder if, given a few more decades of unimpeded neglect, a prairie could return to the West Side.

Standing on the Bloomingdale Trail feels like standing inside a Terrence Malick movie.
It is a ruin, and it is real.  What will replace it, in the words of the Trust for Public Land's Beth White, is “a giant, seamless artwork.”  Borrelli counters that it's already art.  “But it's not safe,” is Ms. White's reply.

And there's the rub.  The 606 is a Haussmannian-scaled intervention.  It involves not only the gentrification of the 2.7 mile rail line, but the replacement of a great deal of existing artwork such as the charming dog murals at Churchill Park.
Those interventions happened over time, neighborhood by neighborhood.  Although designed for variations, and with substantial community input, The 606 is a unitary, imposed design which, most likely, will speak less about the Chicago out of which it arose than the Chicago the leadership would like it to become.

Today, Paris wouldn't be Paris without those broad boulevards Haussmann smashed through the crowded older city.  On the other, hand Paris would also not be Paris without the narrow streets of the maze-like districts that survived the transformation. 

What I really like about Borrelli's take on The 606 is how he gets the complexity of architecture, and how its inextricably intertwined with culture, commerce, politics and life as it's lived day-to-day, moment-to-moment.  He has an acute awareness of the larger issues that sometimes eludes Kamin, who often seems most comfortable treating buildings as autonomous objects.
As I wrote on Friday, the new name The 606 is indicative of the pervasive, generic leveling that is a hallmark of our supply chain economy.  The new Bloomingdale Trail, assuming it delivers on its promise, will be a handsome new civic amenity, but, as Borrelli observes . . .
How do you sand down the rough edges of a place like this and make it accessible to the entire community without removing the raw beauty that makes the place so unusual and memorable?

Read:  On the Trail of Art

Also:





Thursday, April 11, 2013

Grossman and Kent's Final Word on how Chicago's Good-Old-Boys network rallied to Wreck Prentice

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It's the Chicago Tribune story that the Chicago Tribune would rather you not read.

The paper's Ron Grossman and Cheryl Kent have done a bang-up summary of the clout-ridden process that doomed the landmarking of Bertrand Goldberg's Prentice Hospital.  If you're one of the Trib's pathetic handful of digital subscribers (half that of the Sun-Times), you can read it.   For anyone else, it's carefully stuck behind their paywall.

Even if you don't read the Trib, it's well worth picking up  a copy today. (Try not to be shocked by the fact that the Trib just raised the price a whopping 50%, to $1.50.)  When politics get in the way doesn't really include anything we haven't written before in our own copious coverage of the battle for Prentice, but it fleshes out the details and mechanics of how the good-old-boys-network that runs the city - of which the Trib, which shilled relentlessly for Prentice's destruction, sees itself as a key member -  circles the wagons to support its own, in this case  Northwestern University, who has turned their substantial chunk of Streeterville into a kind of high-tech colonial plantation where the rules that constrain all the rest of us don't apply and truth is whatever they want it to be. 

Grossman and Kent document how Chicago's Department of Housing and Development simply dumped facts and figures they got from Northwestern into their report calling for Prentice's demolition.  Nothing was vetted or substantiated.  The Commission willingly became part of Northwestern's propaganda machine.
from left: Rafael Leon, Ernest Wong, Andrew Mooney, James Houlihan
In its portrait of Landmarks Commission Chairman Rafael Leon, the article is especially damning. ”I personally don't know all the details,” Leon told them, “We believe Northwestern.”  Leon was part of a cynical remaking of the Commission by Mayor Rahm Emanuel that dumped four commissioners and stuffed the body with connected associates, none of whom were architects, in direct violation of the directives of the Landmarks Ordinance.  Among them was former Cook County Assessor James Houlihan.  According to Grossman and Kent, he's also a senior consultant with a firm that brags about lobbying the city on behalf of over 25 clients.  Christopher Reed, the only commissioner to vote against demolishing Prentice, quit. “I was disgusted,” he told Grossman and Kent, “The process was hijacked by City Hall.”

Grossman and Kent underscore the uselessness of these appointed bodies.  As with the Plan Commission - which began as independent entity - the concept is that they provide an essential check on city government, representing the larger public in objectively vetting important city actions.  That role has long since been abrogated.  They have become rubber stamps that never - and I emphasize never - do anything other than follow the scripts they've been handed by the mayor.  At a time when the city is closing schools for lack of money, a Landmarks Commission that is nothing more than an expensive extension of the mayor's PR office is a pointless luxury we can no long afford.  Keep the staff; abolish the Commission.

Read:
Landmarks Commission Unanimously Votes Itself Completely Useless
A Modest Proposal: Abolish the Commission on Chicago Landmarks
An Open Letter to Mayor Emanuel on Bertrand Goldberg's Prentice Hospital






Sunday, August 26, 2012

Crain's, Chicago Tribune add their voices: Prentice Should be Saved

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The headline in this week's Crain's Chicago Business sums it up succinctly:  Prentice should remain part of Chicago skyline.  The editorial rebuts Northwestern University's current full-press PR campaign to convince the public that, even with a two-block square lot across the street that has been nothing more than a chain-linked gravel pit for over three years, the University has no alternative but to destroy Bertrand Goldberg's spectacular 1975 Prentice Hospital.
"In our view, the university hasn't made the case that the structure can't be preserved," says the editorial, and it notes that "Northwestern hasn't even retained an architect, which creates the prospect that the city could trade this gem for yet another utilitarian edifice on the medical campus."

That point is tellingly reinforced over at the Chicago Tribune by Cheryl Kent, who, with Ron Grossman, is taking over the paper's architecture beat from Pulitzer Prize-winning critic Blair Kamin while he's away on a fellowship.  Kent chose to use her debut piece in her new role to counter the Trib's editorial board's gleeful pandering to Northwestern's lust to trash Prentice into dust.
"Northwestern," writes Kent, "has inadvertently provided proof of Prentice's uniqueness by way of its mediocre replacement, the new Prentice, a boilerplate building that is inhuman in scale and tedious in design."  

Has the Trib buried Kent's piece?  It carries an August 24th dateline, but unless I'm blind - always a possibility - I was unable to find it in the print editions of Friday, Saturday or Sunday. (Maybe it'll be in tomorrow.)  The title of the webpage Why Prentice should be saved, is much less ambiguous than the vague headline. 

Kent lays out the truth that Prentice meets at least three - probably four- of the criteria required for designating a structure an official Chicago landmark, and calls out Northwestern for its power play politics, "If Prentice is demolished, it will be for reasons other than its worthiness as a landmark."

This is a key point often overlooked.  To Northwestern, this is not about a building, it is about power.  Northwestern is at the top of Chicago's power elite.  It does not like to be challenged.
Its public advocacy campaign to destroy Prentice is so sloppy and factually challenged that it seems almost half-hearted.  (The Chicago Sun-Times David Roeder calls it, "an embarrassment for a school of Northwestern's caliber.")  Northwestern wants it gone.  That should be enough.  

More importantly, Northwestern has deliberately subverted having a debate on Prentice in the forum where it would be most appropriate:  The Commission on Chicago Landmarks.  

In June of 2011, the matter of Prentice made its way onto the Commission's agenda. As Kent demonstrated, if any Chicago building meets the criteria, it's Prentice, and any neutral debate would most probably result in Prentice's designation - and protection - as an official Chicago landmark.  Northwestern, of course, can't have that.  So they used their clout to have the matter pulled from the agenda, and have kept it off, month after month, ever since.

According to a report in Skyline, when preservationists who are a part of the Save Prentice coalition tried to  bring up Prentice at the Landmarks Commission  meeting earlier this month, Commission Chairman Rafael Leon cut them off.  "At the appropriate time, then you can make your statement."  And when, actually, would be that time?  "I don't know, to be honest."  Even as Commissioner, Leon apparently has zero control over his own agenda; he just follows orders passed down by the Department of Development.

For 15 months, the administration of Chicago Mayor Rahm Emanuel, has enforced an official omerta on the fate of Prentice.  What actually have they been talking about?  Wars have been settled in less time.   Are they really talking at all, or is Northwestern simply deploying its clout to make sure there is no talking? 

In June, the Martin Schnitzius Cottage got the Landmarks Commission nod for official designation.  Now well into the second year, Bertrand Goldberg's Prentice Hospital can't even be discussed.  It may be classic Chicago politics, but that doesn't make the city's subversion of due process to placate clout-heavy Northwestern any less of a scandal.
image: Landmarks Illinois



Tuesday, February 14, 2012

Attack of the Hypothetical Fare Scenarios

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CTA survey seeks public input about "hypothetical fare scenarios" - headline of Trib story by Jon Hilkevitch

Dear beloved passenger: The CTA would like to have your opinion about possible new ways to assess charges for riding our trains and buses.  Be assured that no fare increases are currently under consideration.  (You should also be aware that there's a really nice bridge on Michigan Avenue we'd like to sell you.)  But just in case we'd ever, possibly, need to increase revenue sometime in what we're absolutely sure would be far, far into the future, we would like to get your opinion in ranking each of the following 250 "hypothetical fare scenarios" ("HFS's") in order of desirability . . .

$2.00 zoned fares for rides under 5 miles, $16.00 for not telling the cops you look suspiciously zoned out
$3.00 per bag
$.50 per escalator ride; $1.50 per working escalator ride
$2.25 for basic fare, 50 cents for transfers, $1.50 for oxygen
$3.50 if the driver sits in your lap.
$5.50 if said driver shifts energetically as the bus turns a corner
$7.50 per transcript of cell phone conversations of the deranged passenger sitting next to you
$5.00 "mystery aroma"-free section
$2.25 if you bring your own squeegee
$6.50 to harmonize with the motorman on "Rolling in the Deep" over the train intercom.
$4.50 to make up your own street names for the overhead message board
$1.00 to place a bet on whether or not that red-faced guy running like a fiend will have the doors close in his face as the bus pulls away
$4.95 for the What Subway Tunnel Location Am I Stuck In? iPad app.
$10.00 to replace "doors are closing" announcements with "you're going to be crushed like a bug!!!!"
$7.50 to allow you to kick everyone else out from under the heat lamps
$24.50 to be terrorized by Robert Shaw
$6.95 to let you amuse yourself by changing the Bus Tracker indicator from "approaching now" to "removed from service"
$4.00 for each bus not bunched up right behind the bus before it.
$16.50 to open a beer concession at the back of the car
25 cents if you can correctly identify the viscous substance on the seat next to you; $4.95 if you can't
$1.00 if you let us use your Link card to fill up the vending machines at headquarters
$2.00 surcharge for stopping within two feet of the curb
$6.00 to let you shake down other passengers for cigarettes
$2.00 if you share your cab with the driver when the bus runs out of gas.

please turn to page two . . . .




















Thursday, February 9, 2012

The Death of the Newspaper: Here, Let me Help

 click images for larger view (and apologies to Stanley Tigerman)

I knew it was coming.  The announcement was made last fall.

Still, it was with a bit of rue that I opened my home delivery bill from the Chicago Tribune to find that charges have more than doubled - up 122%, the latest brainstorm from company management, and proof that gross stupidity didn't leave the building with Sam Zell.  No explanation on the bill, just a message about how much I must be enjoying the "additional 40 pages of weekly coverage,"  every one of those pages costing me more than a nickle each.  What a bargain.  Somehow I don't recall the Trib dropping the rates when they shrank the physical size of the paper several times over the last decade or so.

If any more proof were needed of the complete contempt in which the Tribune holds its subscribers, consider this:
  • You can't cancel your subscription via mail.
  • You can't cancel your subscription via email.
  • You can't cancel your subscription on the Tribune website.
When I tried to log on the website, I was told that my email - the same email at which the Tribune has been sending me bills the last eight years - was "not found.  Please try again.  Your frustration amuses us no end."

When you call the 800 number printed on the bill, you go into automated response hell.  "Let me look up your account.  Is your address .................  three.....zero......zero?" What? That's not my address.  It's the street number.  Should I just press "1" for yes and take my chances?

OK, I guess that's what they wanted. The automated voice instructs "If you wish to discontinue you service, Press 4." With a complete lack of confidence that anything good will come out of it, I press 4,  only to find that at the Tribune, not even being an automaton exposes you to working overtime.  A different automated voice scurries on to say, "Please call back during normal working hours." 

Which apparently will be another grim experience I'm not looking forward to.  On a website called Customer Service Scoreboard, Chicago Tribune customer service is ranked 425 out of 525 companies, qualifying it for the official designation "Terrible".  Comments posted:147 negative, 1 positive.

The negative replies get a canned response titled "Official company reply".  Which doesn't exactly raise your expectations, for good reason . . . 
Good afternoon, my name is Autumn Smith, and I am an employee in the Client Services dept at the Chicago Tribune.

Although our main call center is in the Phillippines . . .
What follows is a series of a graphic customer descriptions of what you have in store for you when you talk to one of those hapless folk at outsource central in Manila, whose English is reportedly somewhat tentative and who will apparently try to bargain with you if you say you want to cancel, and commit only to "taking your request", which may or may not actually be honored without a second or third follow-up, and possibly the sacrifice of your first born male child.
I was brought up at the end of the golden age of newspapers.  As a kid, I read all three of Chicago's dailies (somehow, Chicago Today, the aereated aftertaste of Hearst's old Herald American, never struck me as a real newspaper.) I couldn't even wait til the day of publication. Late every afternoon, I would walk to the corner newsstand to pick up the "Bulldog" edition of the Trib and Sun-Times, already carrying the next day's date.

Even today, I don't subscribe to the Sunday Trib.  I don't buy the Sun-Times on Sunday.  I can't wait.  I buy them as soon as they hit the newsstands Saturday morning, the same way that even though I
I've read every edition in the history of Crain's Chicago Business, I've never subscribed, because I can't wait until Monday or Tuesday for a paper I can buy Saturday afternoon. Which I do, along with the Sunday New York Times, pretty much every week, at one of Chicago's last surviving newsstands, at Chicago and Michigan.  Call me sentimental.
So now we get to watch the death throes of the very idea of a vibrant city newspaper, as the last survivors flail on their way to the graveyard.

Like pretty much every daily, the Trib killed off their book section years ago, shifting it to an anemic handful of pages in its Saturday edition, when a lower readership means not having to print quite as many copies of pages hardly anyone reads.  Now, the Trib's killing off even that, creating a Printers Row book section to be sold as a separate publication at $99.00 a year, about what I pay per year for the New Yorker and New York Review of Books combined.  The Reader's Michael Miner had a great piece on Thursday on a single Tribune article all but completey devoid of any curiousity as to the basic facts of the story being reported.

Removing content and doubling prices.  Making customer service an obstacle course. It's as if the sales staff at the Trib are all graduates of the class, "Marketing for the Suicidal."

It wasn't that long ago that publishing a city's dominant newspaper was thought of as a license to print money.  Now it's the way to burn through it.  It's the classic tale of challenges ignored as engorged margins became an addiction, of cluelessness, arrogance and desperation racing each other down a quickening whirlpool of dissolution.

You could get angry, but it doesn't seem worth the bother.  There's nothing you can do about death. It's just sad.

Time to move on.
 Why does the above shot remind me of the chamber pot scene in Visconti's The Leopard?