Showing posts with label University of Chicago. Show all posts
Showing posts with label University of Chicago. Show all posts

Wednesday, April 3, 2013

Ronald Reagan Wrecked

click images for larger view
The great Lee Bey is reporting today that the University of Chicago is currently demolishing the apartment building where Ronald Reagan lived as a small boy.  DNAinfo.com Chicago,  which also has some nice photos, is saying the University promises to put up a plaque.

The structure was already cast in the deep shadows of Rafael Viñoly's hulking new Center for Care and Discovery (translation: it's a really big hospital).  When I wrote about this last December, it was less about history and more about the way that the U of C is super-densifying its campus at the expense of any sense of community or human scale.


Read: Say Goodbye to Ronald Reagan's Apartment: The Supply-Chaining of Hyde Park

Thursday, October 11, 2012

The Reveal: Tod Williams and Billie Tsien's Reva and David Logan Center for the Arts at the University of Chicago

click images for larger view (highly recommended)
The Reva and David Logan Center for the Arts has its official opening this weekend with a Launch Logan Festival, Friday through Sunday, October 12-14, and an October 12th program Beware the Stairs are Always Moving: a conversation with Architects Tod Williams and Billie Tsien, 6:00 p.m. in the Logan Center's Performance Hall.  Read our profile of the building and its architects here.

 “I think in life it's generally true,” said architect Tod Williams, “everything's pushing to the more broadly based and generic, kind of universal answers.  I think that's the trend of the moment, and I think there's certain places, certain institutions, and people that go against that.  We go against that.”
He was responding to my question about architecture in the era of the supply chain, where it's all about maximizing efficiency through standardization and scale . . .
We had the opportunity to tour the this stunning new building, the Reva and David Logan Center for the Arts with its architects, Tod Williams and Billie Tsien last Friday, and the result is this photo-essay.   Williams and Tsien talk to me about about how the building came about, how it works, and the challenges they faced in getting it done.  Images, in abundance.

Read:  The Reveal: Tod Williams and Billie Tsien's Reva and David Logan Center for the Arts at the University of Chicago



Wednesday, August 8, 2012

Portrait of a City at Warp Speed: The Eighth Greatest Film Ever? Man With a Movie Camera at Doc Films tonight



The ten highest ranked movies of the just released 2012 edition of the British Film Institute's once-a-decade poll of The Top 50 Greatest Films of All Time is pretty much a list of the usual suspects: Rules of the Game, Tokyo Story, Sunrise, Passion of Joan of Arc, etc.  The big news was dethronement of long-time Number 1 Citizen Kane with Alfred Hitchcock's Vertigo.  Discuss among yourselves.

An even greater jump, however, was a film that went from 27 in 2002 to number 8 this year.  Dziga Vertov's Man With a Movie Camera is a wildly ambitious 1929 silent documentary that is nothing less a picture of what it is to be alive as captured through documenting a day in a great city (in this case mostly Odessa, but some other cities used, as well.)  Coupled to long stretches of conventional montage are bursts of the avant garde techniques that would come to define cutting edge cinema: multiple exposures, jump cuts, freeze frames and more.
Streetscapes, storefronts, racing trains, planes, trams and fire trucks a beautiful woman dressing, trams emerging from their sheds, shooting galleries, dancers, symphonies, posters, advertisements, a walking tripod -  all the forms of urban human life, and all the stages birth to death.  In 68 minutes.

And we also see both endpoints of the story - the intrepid cameraman as he seeks and sets up his shots, and the audience watching him on film as he shoots film while riding a motorcycle.
It's a remarkable study of architecture inhabited.  Not the carefully composed hero shots of individual buildings, but the fabric of buildings placed within a city, engaging with the human beings who designed them, and use them, if only as a backdrop,  Vertov's restless camera often moves through the streets just as we as pedestrians move through the streets. 
While you can view the entire film on You-Tube, tonight you also have a rare opportunity to see Man With a Movie Camera as it was meant to be scene, on a large screen - where the images of buildings can scale life-size - and with an audience, so you can be a spectator in a theater watching an audience in a theater watch Vertov's film.  It screens tonight at 7:00 p.m. at doc films. in the Max Palevsky Cinema at Ida Noyes Hall at the U of C, 1212 West 59th.  $5.00.

Tuesday, May 22, 2012

Some views of the new Logan Center for the Arts - architects Williams & Tsien at Art Institute Panel Thursday

click images for larger view
Tod Williams and Billie Tsien, architects of the new Reva and David Logan Center for the Arts, will be part of a panel discussion on University of Chicago Architecture taking place this Thursday, May 24th, from 6:30 to 8:00 p.m. at Rubloff Auditorium at the Art Institute of Chicago.  Also participating will be architects James Carpenter and Ana Beha.  The event, sponsored by the Art Institute's Architecture and Design Society, will be moderated by Steven Wiesenthal, FAIA.  Tickets are $15.00 for the general public; $10.00 for members, $5.00 for students.  Information and registration here.

There are still nearly a dozen items still to come to check out on the May Calendar of Chicago Architectural Events.