Sunday, August 5, 2012

13 years later, Cows on Parade still hanging on

Nine Spotted Lady Bug Cow by Brian Calvin,  still at its original location,climbing up the facade of Hotel Talbott, Delaware near Rush.(click images for larger view)
Blame the Swiss.  In 1998, they got the bright idea of casting cows in fiberglas and letting local artists loose on them.  Chicago shoe magnate Peter Hanig saw the exhibition in Zurich, and with Cultural Affairs Commisar(ess) Lois Weisberg, they hatched (you do know that cows come from eggs, yes? really big eggs.) 1999 Cows on Parade, curated by Nathan Mason, in which no fewer than 306 88-pound hollow bovines were transformed by artists from Herbert Migdoll to Karl Wirsum, Tom Bachtell, Mr. Imagination, Terrence Karpowicz, Barbara Koenen and Ed Paschke, to name just a few.  (Paschke's cow, Vaca Victoria, was actually yanked from view because it incorporated gang symbols.)

Helmut  Jahn created Lines at State and Wacker.  Stanley Tigerman and Dong Huy Kim sliced their Cow(ed) into three parts, Damien Hirst style.

Cows on Parade was so successful, it spawned countless street-side exhibitions worldwide, taking on everything from elephants, to ducks, moose, shoes, eggs, frogs, peanuts, another kind of peanuts, and . . . bananas.
Pete Price Banana - photograph: Stuart Ian Burns, Wikipedia
Our neighbors in Racine have been doing an annual festival since 2002, starting with cats, then dogs, then bears, and in 2005, fish and otters . . .



This year, they've been reduced to trunks.   The situation in Chicago is no better.  For still another year, Michigan Avenue is dotted with ten recycled refrigerators, redesigned by local artists.  This year's exhibition is named "MetamorFridges", and is sponsored by ComEd.  Things have grown increasingly commercial, didactic, and - truth to tell - more than a little tired.  Appropriately, this one looks a bit like a bicycle hearse.
A decade is a long time to do variations on a single idea.  Clearly, some fresh thinking is order, and it's useful to look at some reminders of the giddy fun of the original 1999 Cows on Parade, which can still be found around the city.
Some can be found outdoors, such as the one above, on west Dickens.
Other cows have found inside resting places.  piCowso, by Todd Treleven, Jeff McMahon and Scott Wallace, was originally outside SOM's One Mag Mile on Oak Street.  Now, it's retired to the offices of its donor, HavasChicago.
© Jyoti Srivastava. All rights reserved.
Recently my good friend Jyoti Srivastava discovered another indoor cow.  In 1999, W. la Vaca 1999 #2, by Virginio Ferrari could be found at State and Wacker.  Today's it's in the atrium of 20 North Michigan. You can find more surviving cows on Jyoti's excellent blog, Public Art in Chicago, here.

How many more cows still live?  If you know of any, let us know, and we'll add them to our Put Out to Pasture catalog.
Actually, the Chicago Loop Alliance, with its Pop-Up Art galleries and projects like this year's Color Jam have brought a lot of creativity to public art in Chicago, as has the annual BIGart installation at Navy Pier, and The Chicago Sculpture Exhibit.

Are recycled refrigerators God's way of telling us there's a drop-dead date on whimsy?  What new ideas are waiting to be discovered for combining tourism and public art?  Fiberglas figures of  Convicted Aldermen on ParadeGiant grapefruit on the marchSurrealism on State?  No?  Well, what have you got?  Pass along your suggestions and we'll post them here.


Friday, August 3, 2012

Wiel Arets new Dean of Architecture at IIT?

 click image for larger view.  photograph: WAA
Blogger Edward Lifson reported yesterday that Dutch architect Wiel Arets will be named the new Dean of Architecture at the College of Architecture, Illinois Institute of Technology, following in the footsteps of Mies van der Rohe, and most recently, Donna Robertson, who held the post from 1996.

A discussion board on Archinect speculated Arets was next in line when had been "spotted making the rounds" on the campus this past May.  The architect served as Dean of Rotterdam's Berlage Institute 1995-2002/

Awaiting an official announcement . . . .


HOW TO: Have Fun With Facebook's Language

Facebook has many options that can be used to make your profile look best and some features that can be used to keep private and confidential.

One of the features of face-book, setting the language, the website offers a couple of fun linguistic Easter eggs. By default the language is ENGLISH, but if you want to change the language , you can do it.

Choose Facebook display upside down English, or, for anyone feeling a little salty, in "pirate."
Pirate essentially turns your status into your "plank," attachments changes to "loot" and instead of "share" it has the option to "blabber t' yer mates."
Sadly, anything you type in the status bar won't be upside down, or pirate-y. But with the use of some external sites you can achieve the same effect.

Social What Why How: Practical and Usable Social Media Tips and Tricks: Social What Why How is a practical how-to, tips and tricks book that will answer many of your real-life social questions. - Is Social Media really important for me and my business? - What is the real value of Facebook for me? - What are Twitter Hastags (#) and why do I need them? - How does Google+ compare to Facebook? - How do I use Tumblr? - Is it easy to build and maintain a blog? and much, much more!

Wednesday, August 1, 2012

Thursday: City of Bridges, Animal House to Our House

That's right, no calendar yet, so here's what's going on today, Thursday, August 2nd.

At 12:15 p.m., in the Millennium Room of the Chicago Cultural Center, Friends of Downtown offers a talk by Jim Phillips on City of Bridges, a virtual tour of the 18 bridges just in the city's downtown. all of which can also be found on Phillips informative website.

At 7:00 p.m. at the Book Cellar in Lincoln Square, 4736-38 North Lincoln, author Ron Tanner will be discussing his book, From Animal House to Our House: A Love Story. concerning the restoration of a condemned Victorian brownstone in Baltimore.

To Commission on Chicago Landmarks, Bertrand Goldberg's Prentice Hospital Still Dead

click images for larger view
The above post has two events for today, Thursday, August 2nd.   The most important thing happening today, however, is what's not happening.
 
 At 12:45 p.m. at City Hall, the agenda of this month's meeting on the Commission on Chicago Landmarks is once again uncontaminated by any acknowledgement of the grave threat to Bertrand Goldberg's Prentice Hospital.
Last week the Save Prentice Coalition released a open letter to Mayor Rahm Emanuel signed by an international roster of 60 of the world's most accomplished architects and academics, from Frank Gehry to Jeanne Gang, Tod Williams and Billie Tsien, to Dan Wheeler to Dirk Lohan, Ron Krueck and Mark Sexton, to John Ronan, to Donna Robertson and Bob Somol, and more, with signatories from Chicago, to Berlin, to Shanghai.  The letter bears a simple message:  Bertrand Goldberg's Prentice Hospital is a building of international importance and it deserves landmark protection to keep Northwestern from its intention of smashing the structure into rubble for still another vacant lot on its sprawling Streeterville campus.

Over a year ago, the Landmarks Commission listed the landmarking of Prentice as a item on its June, 2011 agenda.  On the morning of the meeting, after a who's-who of forces rallied in support of the action, Prentice was removed from the agenda at the request of Northwestern, for what a university spokesman referred to as "further discussion with the city."

The rest is silence.
In fact, the only non-silent party in the Prentice controversy is Northwestern.  Although it has, for four years, left a full block to the south of Prentice a gravel filled empty lot since Lakeside Veterans Hospital was demolished, it has been consistent in its public statements that it intends to destroy Prentice Hospital, no matter what.  As a hospital and as a university, Northwestern is one of Chicago's greatest institutions.  As custodian of one of the largest tracts of land in Streeterville, it is a chronic enabler of architectural mediocrity.  The architecture of the Northwestern Hospital campus veers towards the bland, faceless and dispiriting.  It is not surprising they would want to destroy Goldberg's Prentice.  It will lower the curve.

No, it's only those who we would expect to represent the rest of us who are silent.

The Commission on Chicago Landmarks is silent.

42nd ward alderman Brendan Reilly, who engineered a 60-day demolition moratorium for Prentice in April of 2011, is silent.

Mayor Rahm Emanuel is silent.

The City of Chicago, its departments, and its commissions are not private clubs.  The public has the right to know:  What exactly is being talked about in those "further discussion"(s)? Over these intervening 14 months, how many discussions have taken place?  Have there actually been any?
Or is the strategy to simply ignore Prentice, hoping those pushing to save it will simply tire and disappear, so the bulldozers can be brought in the Meigs Field way, and Prentice Hospital maimed beyond saving when no one is looking?  Or will it be done the Michael Reese Hospital way?  An empty promise to save the original 1907 Schmidt, Garden building while failing to do anything to secure the building from weather or vandals, followed by the city's nearly drowning in its own crocodile tears as it announced the structure had deteriorated so gravely that there was now no alternative to demolition.
If, indeed, Northwestern's strategy was just to wait out the exhaustion of its opponents, it seems a losing bet.  Last week's letter from 60 architects was accompanied by a strong editorial in the Sun-Times in support of preserving Prentice, and an op-ed piece, Save Prentice from the wrecking ball, by AIA Chicago's Zurich Esposito and Landmarks Illinois' Bonnie McDonald, eloquently refuting the Trib's previous endorsement of destroying the building.  Landmarks Illinois has issued a compelling re-use study for the building.

The Save Prentice Coalition isn't tiring out; it's getting smarter and more savvy.  Support for saving Prentice is gaining momentum, and spreading globally.  Mr. Reilly, it's time to tell us where you stand.  Mr. Mayor, it's time to end the official omerta over Prentice.  The public has a right to know what has been going in those closed-door discussions.  And we need to know your vision for the city's future:  Still another vacant lot? Or saving one of Chicago's most significant and distinctive buildings for future generations?








Jeanne Gang's Grounded Magic - Building: Inside Studio Gang Architects opens at Art Institute September 24th

click images for larger view
If last fall was the year of Bertrand Goldberg at the Art Institute, 2012 will be the year of Jeanne Gang.  On September 24th, the Art Institute will open a new exhibition, Building: Inside Studio Gang Architects, showcasing the work of . . .
. . . MacArthur Fellow Gang and her team of 40 architects, designers, and thinkers have produced some of the most inventive and award-winning architecture today. Featured not as a survey or retrospective, the projects of Studio Gang Architects (SGA) will be showcased in an engaging workshop-like environment that reveals the practice's creative processes as they seek to answer pressing contemporary issues through architecture.
The exhibition, designed by Studio/Gang, in collaboration with Art Institute curator's Zoƫ Ryan and Karen Kice of the Department of Architecture and Design . . .
consists of two interrelated parts. The first functions as a gallery with projects illustrated through a range of materials from sketchbooks and models to photographs, plans, and other drawings. This space will also feature a special series of installations, also designed by SGA, dedicated to the studio's material research and formal explorations.
The second section of the exhibition replicates a workshop, complete with a large worktable, pin-up boards, full-scale mock-ups, and material samples.
SOS Children's Village Lavezzorio Community Center
The second space will host two "Archi-Salons" intended to place Studio/Gang's work "within the larger field of architectural discourse."  The first will be October 6th, 2:00 to 4:00 p.m., to be led by architect and UIC assistant professor Clare Lyster; the second, November 17th, also 2:00 to 4:00, to be led by MAS Studio's Iker Gil.

We were introduced to Jeanne Gang when we first began writing about architecture almost a decade ago, when she was flagged by Stanley Tigerman as an emerging star.  Since then, Gang, Mark Schendel and the other talented people at the firm have been extremely generous with their time as they've gone on to such hallmark projects as the Kam Liu Center,  the SOS Lavezzorio Community Center, the Starlight Theatre in Rockford, the Columbia College Media Center, and, of course, Aqua, which became an instant Chicago landmark even when it was under construction.
We've accumulated a lot of material on Studio/Gang that we've never published and, assuming my mind again begins to function, I hope to be posting a lot more text and photo's as the exhibition opening nears.  Some lines to the story so far . . .
Jeanne Gang: Before Aqua - an early portrait.
 Jeanne Gang's Cinematic space at Columbia College

 Designing Women: Five Architects, at exhibition at the Chicago Architecture Foundation.